b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.  Related Paintings of Simon Vouet :. | Toilet of Venus | Time Overcome by Hope and Beauty | Loth and his daughters, Simon Vouet | Saturn,conquered by Amor (mk08) | Crucifixion |
Related Artists:
Hamilton Easter Field
(1873-1922) was an important American artist, teacher, author, critic, collector and patron of the arts
Pieter Lastman
(1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet. Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk.
Suzanne Valadon
French Post-Impressionist Painter, 1865-1938 French painter and artist's model. She led a lonely childhood in Paris as the daughter of an unmarried and unaffectionate maid, seeking refuge from her bleak circumstances by living in a dream world. While residing in the Montmartre district of Paris, she became an artist's model, working in particular with those painters who frequented the Lapin Agile. From 1880 to 1887, for example, she sat regularly for Pierre Puvis de Chavannes, posing for both the male and female figures in the Sacred Wood (1884-6; Lyon, Mus. B.-A.). She also modelled for Renoir, Luigi Zandomeneghi, Th?ophile Steinlein, Jean-Louis Forain, Giuseppe De Nittis and Jean-Jacques Henner. No longer able to tolerate the passive role of the model,